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©2009 `SeaFairy
:iconseafairy:

Artist's Comments





O P E N I N G.

Letting in.
Letting go.


Narni, Italy, 2008.






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Scattered-sea.com

Comments


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:iconicarus-ica:
III,V,und IX gefallen mir am besten.dieses hier kommt einer installation gleich.sehr wichtig für dieses bild ist meiner meinung nach das rechteckige fenster, das den blick frei gibt auf die lichtquelle und den torbogen .die person gibt dem bild natürlich bedeutung und leben...
sehr schön :thumbsup:
:iconseafairy:
hey danke für die lieben und ausführlicheren Worte! Ja, klingt verständlich, denk auch :-) Danke. :heart:

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:iconyellowroses:
This whole series is fantastic, both aesthetically and conceptually, but for some reason this one is my favorite. Lovely!

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The richest cities, the grandest landscapes, never contain the mysterious attraction chance forms out of clouds.

Beautiful // Waste.
:iconseafairy:
Thanks for your kind words :)

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:iconchunzi:
i really like how the geometrical shapes frame each other and the figure perfectly... and the texture is amazing everywhere -- on the walls, tiles, in the light
:iconseafairy:
glad you like it thank you

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:icondicepshon:
this shot, as well as shot ix are the type of shots they need to show more architecture students. It's such a great study of shapes, perspective and proportion and of course, you manage to give it a story as well. All the better and again, wonderful job!
:iconseafairy:
oh, a compliment i guess, thank you :)

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:icondicepshon:
It's totally a compliment. Often, shapes don't work together in newer buildings, or if they do, they are mostly symmetrical or they end up clashing. Often I end up seeing squares within squares or circles withing circles with vaulted, round ceilings. This image shows that you can have many shapes, each with its own strong identity, even with horizontal lines enhancing the perspectivealong the walls that make it it's own entity. A marriage of shapes, and you captured it!

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